Where to See Puffins in Ireland

Let’s head on a puffin pilgrimage as we discuss where to see puffins in Ireland, travelling to the Saltee Islands, Skellig Michael, and we might even meet some of these charismatic characters off the coast of Dublin!

Where to See Puffins in Ireland

a group of puffins on the great saltee island off the coast of wexford, one of the best places to see puffins in ireland

Let’s head on a puffin pilgrimage as we discuss where to see puffins in Ireland, travelling to the Saltee Islands, Skellig Michael, and we might even meet some of these charismatic characters off the coast of Dublin!

Puffin • Puifín • Fratercula Arctica

Best Time to See Puffins in Ireland

Save Our Puffins!

How to meet Irish puffins safely and responsibly

Irish Puffin on the Saltee Islands

Where to See Puffins in Ireland

The Saltee Islands • Wexford

Saltee Island puffins, the Great Saltee Island is once of the best places where to see puffins in Ireland

The Cliffs of Moher • Clare

The finger of land known as Goat Island at the Cliffs of Moher is another place where to see puffins in Ireland

Skellig Michael • Kerry

Puffins on Skellig Michael off the coast of Kerry Ireland

Rathlin Island • Antrim

puffin on rathlin island off the coast of antrim

Tory Island • Donegal

Tory Island off the coast of Donegal is another place where you can see puffins in Ireland

Ireland’s Eye • Dublin

a puffin flying past ireland's eye off the coast of Howth in County Dublin Ireland

Tips:
Photographing Puffins

While I am not a professional photographer, I do love trying to capture the colour, character and behaviour of these charismatic birds! I personally use my trusted old Canon 5D MkIII, that has been well battle-worn at this stage after years of visiting monuments all over Ireland. Though I’ve also managed to get good photos on my Samsung smartphone. As they say, the best camera is the one that you have on you.

To avoid getting too close and disturbing the seabirds, I use a Sigma 150–600mm lens. It’s a really good entry point for enthusiasts, as some zoom lenses can be extremely expensive indeed. I find the versatility of the 150–600 also gives great opportunities to capture images at a variety of distances and detail.

The puffins you encounter will either be on the ground, with relatively small movement or flying with very fast movement. So try to think about batching your photograph types, setting your camera up for one or the other scenario and focus on either flying or landed birds, before switching to the other scenario. That will stop you feeling like you are constantly tweaking your settings.

Photographing puffins on the Cliffs of Moher using a Canon 5D III and a long lens

Photographing puffins on the Cliffs of Moher
with a Canon 5D III and a Sigma 150-600mm lens

For flying birds, shutter speed is the main consideration. Try setting your shutter speed between 1/1000 and 1/1600 of a second to freeze the moment in time. Though if you’d like a slightly dreamier picture, you can shoot slightly slower speed to blur the wings. For birds on the ground you can use a slower shutter speed. Anything around 1/250 to 1/800 of a second should be fine.

Generally speaking I like to try to keep it as simple as possible. So I’d often set the ISO to Auto, and set the aperture as large as it would feasibly go. This often creates a shallower depth of field, giving a nice effect with a sharp puffin and gently blurred background. When you set up along these lines, it means you just need to keep an eye on the exposure and trying to keep that balanced, rather than fiddling switching shutter speed, aperture, ISO and exposure all at once, and missing your shot.

When photographing puffins I set the camera to shoot in burst mode using a high frame rate. The drawback to this is that you will take a lot more pictures, so a decent sized memory card (at least around 64GB and up) is usually a good option.

Puffins can be challenging in some ways, as with snow white bellies, black backs and colourful beaks, there’s a lot going on there for a camera! And you also need to consider how to focus. The main aim is to capture full detail, you might find you end up getting the face in sharp focus but blurring the back or tail. So autofocus can sometimes let you down. If you’re more comfortable adjusting settings, consider going down a few stops to f/8 with a higher ISO, which should allow you to capture more focus overall.

It is important to always consider your overall composition. The rule of thirds is an ever-present rule for a reason! If possible, it is also worth trying to get low down on the ground so you’re more at eye-level with puffins (while maintaining your distance of course), this will give a much better proportion for your image. I typically always just save in RAW format, as it gives you more room to tweak afterwards.

Finally, experiment! I always take a lot of images, they don’t always work out, but if you follow some of the general pointers here you should have a lovely puffin portrait after your trip.

If you’re sharing your picture on Instagram or elsewhere on social media, please do tag us @TuathaIreland – I always love seeing pictures of puffins so it will make my day!

A close up of a puffin on the Great Saltee Island Wexford

Using a long lens like a Sigma 150-600mm allows
you to get a close up without disturbing the birds

Tips: Photographing Puffins

While I am not a professional photographer, I do love trying to capture the colour, character and behaviour of these charismatic birds! I personally use my trusted old Canon 5D MkIII, that has been well battle-worn at this stage after years of visiting monuments all over Ireland. Though I’ve also managed to get good photos on my Samsung smartphone. As they say, the best camera is the one that you have on you.

To avoid getting too close and disturbing the seabirds, I use a Sigma 150–600mm lens. It’s a really good entry point for enthusiasts, as some zoom lenses can be extremely expensive indeed. I find the versatility of the 150–600 also gives great opportunities to capture images at a variety of distances and detail.

The puffins you encounter will either be on the ground, with relatively small movement or flying with very fast movement. So try to think about batching your photograph types, setting your camera up for one or the other scenario and focus on either flying or landed birds, before switching to the other scenario. That will stop you feeling like you are constantly tweaking your settings.

Photographing puffins on the Cliffs of Moher using a Canon 5D III and a long lens

Photographing puffins on the Cliffs of Moher
with a Canon 5D III and a Sigma 150-600mm lens

For flying birds, shutter speed is the main consideration. Try setting your shutter speed between 1/1000 and 1/1600 of a second to freeze the moment in time. Though if you’d like a slightly dreamier picture, you can shoot slightly slower speed to blur the wings. For birds on the ground you can use a slower shutter speed. Anything around 1/250 to 1/800 of a second should be fine.

Generally speaking I like to try to keep it as simple as possible. So I’d often set the ISO to Auto, and set the aperture as large as it would feasibly go. This often creates a shallower depth of field, giving a nice effect with a sharp puffin and gently blurred background. When you set up along these lines, it means you just need to keep an eye on the exposure and trying to keep that balanced, rather than fiddling switching shutter speed, aperture, ISO and exposure all at once, and missing your shot.

When photographing puffins I set the camera to shoot in burst mode using a high frame rate. The drawback to this is that you will take a lot more pictures, so a decent sized memory card (at least around 64GB and up) is usually a good option.

Puffins can be challenging in some ways, as with snow white bellies, black backs and colourful beaks, there’s a lot going on there for a camera! And you also need to consider how to focus. The main aim is to capture full detail, you might find you end up getting the face in sharp focus but blurring the back or tail. So autofocus can sometimes let you down. If you’re more comfortable adjusting settings, consider going down a few stops to f/8 with a higher ISO, which should allow you to capture more focus overall.

It is also important to consider your overall composition. The rule of thirds is an ever-present rule for a reason! If possible, it is also worth trying to get low down on the ground so you’re more at eye-level with puffins (while maintaining your distance of course), this will give a much better proportion for your image. I typically always just save in RAW format, as it gives you more room to tweak afterwards.

Finally, experiment! I always take a lot of images, they don’t always work out, but if you follow some of the general pointers here you should have a lovely puffin portrait after your trip.

If you’re sharing your picture on Instagram or elsewhere on social media, please do tag us @TuathaIreland – I always love seeing pictures of puffins so it will make my day!

A close up of a puffin on the Great Saltee Island Wexford

Using a long lens like a Sigma 150-600mm allows
you to get a close up without disturbing the birds

Where are your favourite places to see puffins in Ireland?

Dig Deeper

There are a number of good sources to learn more about puffins in Ireland:

  • I recommend BirdWatch Ireland (and consider joining as a member!)
  • Hear the soundscape of puffins at Skellig Michael in this wonderful recording by Seán Ronayne of Irish Wildlife Sounds.
  • Watch the excellent Kerry Tides of Time two part documentary on the RTÉ Player.
  • Read the brilliant book ‘Seabird’s Cry’ by Adam Nicholson. Order from your local bookshop, or online, ideally from Irish bookshops like Kennys.ie

Dig Deeper

There are a number of good sources to learn more about puffins in Ireland:

  • I recommend BirdWatch Ireland (and consider joining as a member!) 
  • Hear the soundscape of puffins at Skellig Michael in this wonderful recording by Seán Ronayne of Irish Wildlife Sounds. 
  • Watch the excellent Kerry Tides of Time two part documentary on the RTÉ Player. 
  • Read the brilliant book ‘Seabird’s Cry’ by Adam Nicholson. Order from your local bookshop, or online, ideally from Irish bookshops like Kennys.ie